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His plays were translated into 12 languages, and have been performed around the world, including Moscow , London , New Delhi and around the United States. Gargi's first play, Loha kutt English: Blacksmith in became controversial for its stark picture of the Punjab countryside. At that juncture, he focused on poverty, illiteracy , ignorance, and superstition marking rural life, which continued in Saelpathar English: Petrified Stone in , Navan mudh English: New Beginning in , and Ghugi English: Dove in In the edition of Loha kutt, he resorted to drawing poetic and dramatic elements from J.

Synge and Garcia Lorca. In subsequent works like Kanak di balli English: Stalk of Wheat in and Dhuni di agg English: Fire in the Furnace in , these became his chief vehicles. For all the specificity of native locale, the former deflected as much towards Lorca's Blood Wedding as the latter reminded one of Yerma. In Mirza-Sahiban in , customs and conventions came in for bitter censure. Gradually, Gargi's preoccupation with sex, violence, and death became almost an obsession.

This required his dramaturgy to proceed through mythopoeia, which turns explicit in his last plays. In Saunkan English: Rival Women in , the paradigm of Yama - Yami , the Hindu god of death and his twin sister, becomes an occasion to glorify sexual union. Altogether dispensing with socio-political discourse, he turned to his new theme with a vengeance in Abhisarka English: Lover in Gargi's penchant for the unexpected grew all-powerful.

For subject matter Gargi moved freely over social milieu, mythology, history, and folklore. For form and technique he relied as much upon Sanskrit classics as on Lorca's poetic drama, Brecht's epic theatre , or Artaud's theatre of cruelty. In the composition and performance of his dozen full-length plays and five collections of one-act drama, he traveled from the realistic to the mythopoeic mode. In addition to this dramatic corpus, Gargi's short stories began to be published in English.

Balwant Gargi was among the pioneers of playwriting in Punjabi and the production and telecast of his plays like Sanjha Chulha on Doordarshan received countrywide appreciation. Gargi was awarded the Sahitya Akademi award , the highest Indian literary award, in for his book Rang Manch. Balwant Gargi taught for two years �67 at the University of Washington , where he met Jeanne Henry, who later became his wife. This period was the basis of his autobiography The Naked Triangle.

The open-air theatre at the department is named after him.